Raw Nov 6th, 2024

Nov 6th

06 November 2024

03:49

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Updated on Nov 7th, 2024 (~15:15)

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1. Vision (Past week): Prof TRS stands beside the dustbin in the other room outside and lifting it up, empties it inside his mouth.

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2. Vision (Past two weeks): The front view of Surjeet from The Dinesh Store in the open Double Storey street going to his store present at the corner of the street going to the left to 9/31 at the T-point in far sight of the viewer, with him dressed in an orange Polo t-shirt over trousers as gesturing backwards with both hands to his shop, he says looking at the viewer nodding his head with a hasty, affirming and willing countenance: Aao, Aao. Sab khula hai! 

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3. Vision (Past two weeks): Glory in a red and white suit in the air a few meters above in the air on my right dances in a duet with a short-heighted girl with short neck-length frizzy hair dressed in a casual attire.

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4. Vision (Past week): An angled side-view of the little turtle chewing on a thin cm-long green straw of grass with two tiny  half-a-cm branches protruding out.

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5. Vision (Yesterday): The face of a lightly stubbled Jesus with neck-length straight hair close in front of me as looking at me with a serious expression, He says: After this, you will not desire to be with any man. After this, you will not desire to be with any man. It repeats today again.

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6. Vision (Post Midnight): The bottom view of the upper half Miranda Priestly (from the Hollywood movie) with short blonde hair in a thick high-neck full-sleeved top, patterned in dark green and black, as with a turned upper half along the right in the background of   a beige ceiling of a seemingly spacious space, she says to someone present on that side (slightly paraphrased): I’m leaving you boy. You’re of no use to me!  

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7. Vision (Post Midnight): A small-framed vision of Ed Sheeran in a long and loose slightly above the knees full-sleeved round-neck white t-shirt with red sleeves stitched slantingly at the shoulders and a small rectangular or square print apparently embroidered in navy blue over loose trousers, as he is standing facing to the left in the open background of a day surround by people/fans around him in a curve, and is collecting from their hands a rectangular piece of paper.

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His attire reminded me of Billie’s attire from the following video:

Billie Eilish “BIRDS OF A FEATHER” Live (Madison Square Garden NYC, Night 2, 10/17/24) [w/ FINNEAS]

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8. Vision (Afternoon): A blurry vision of Pooja in a grey and white tunic set as she says: Kartika Ma’am, aaj maine Nivedita Ma’am ko ek thappad mara!

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9. Vision (Afternoon): The bottom view of the face of Death Conqueror on top of a lady as he says to her: Shaadi kar ke kya hota!? Shaadi kar ke kya ho jata!?

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10. Vision (~19:43): The front view of Abhisaar Sharma in a room as moving a gun held in his hand on the viewer’s left towards that side of his head, he says placing it on his head as he’s about to shoot himself: Vande Matram! The vision has repeated itself a few times previously as well.

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11. Vision (19:45 to 20:10): The homepage of my YouTube channel with a huge stamp of low-contrast Public Property flashing on it in dim black.

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12. Vision (22:15 to 23:30): The face of Billie Eilish in a beige head wrap wearing thin-framed eyeglasses in dim golden light as she says: I am a scientist. A music scientist.

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13. Vision (22:15 to 23:30): A bleeding and bruised Jesus dressed in a dark loin cloth around his waist in a look resembling his look from the end of the movie Passion of the Christ at a wide water body’s edge, perhaps it’s an ocean’s shore, but it’s not clear in the vision, as he’s standing behind a dark wooden canoe. Even His loincloth is shown to have a small hole at the front revealing a part of his penis’ skin. He abruptly throws a metallic hook towards the viewer as he seems to be readying the canoe and says that he’s going to find his daughter Kartika in the waters as she’s been thrown there. The follow-up vision shows the side-view of Him actually swimming through the waters in the right direction. It’s the open light of the day. The follow-up vision shows Him dragging my dead body out of the water, dressed in a loose purple t-shirt over black trousers with my groin torn into two halves and one of my eyes – red and wide open and protruding out.

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14. Vision (22:15 to 23:30): A semi-animated baby elephant with its trunk lifted up climbs up a ladder and keeps climbing up to reach the end. When it’s at the top where the ladder ends, it sees Jesus in the dim golden background of Heaven on the right side of the vision, sitting facing to the left on vertically folded knees and looking down at the elephant still on the ladder at the first few steps at the top with its lifted baby trunk, as He extends His arm in the full-sleeved white and lovingly strokes the elephant’s neck while it’s looking at Him with the surrounding resembling that of outer space lit in dim golden, and then asks the elephant to go back down. The elephant with a lifted trunk is wearing a golden crown with the words Pure Elephant embossed at the front. He takes the crown off his head, puts it behind Him in His heavenly space, and looking down at the elephant, says to him that when it gets back to heaven again (most probably after heaven), then it will get its crown back, following which He sends the elephant back down.

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15. Vision (22:15 to 23:30): The angled bottom view of the upper half until the shoulders of Anjana Om Kashyap in a yellow suit over a white shirt putting half-folded newspapers into a small pit of fire down in front of her.

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16. Vision (22:15 to 23:30): Jesus points to the duo of the trio as He says that they are His sheep. The follow-up vision shows a giant Jesus lifting the tiny two up in His hands and a tiny Akhila with a noticeable long face with her hair tied low at the back as well in His other hand on the viewer’s left as He looks down at Death Conqueror standing some meters away from Him with a dark background behind Him. As the vision moves upwards, a tiny me, dressed in a loose purple t-shirt over trousers is shown sitting on His shoulders, with legs spread around His neck, with deep red eyes and a fierce expression – easily mistakable for a demonic possession – followed by me bending my tiny upper half forward by the viewer’s right side of Him, and kissing and giving large light bites on His large cheek. The vision then shows the top view of me sitting on His shoulders with my protruding intestines out through the groin visible behind his short neck-length hair.  

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17. Vision (22:15 to 23:30): The front view of an old lady in a wheelchair dressed in a white tunic set embroidered in off-white or beige with her white hair tied low in a bun at the back, as she’s moving towards the viewer from near the end of the corridor opposite the side of my rented room (9/31) on the 2nd floor of Vijay Nagar, Double Storey, and grabbing the part of her tunic near on top of her groin, she pulls the tunic down twice as she’s moving through the corridor away from the room with someone else standing behind her pushing her forward. 

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18. Vision (22:15 to 23:30): As I am lying in bed resting, and I ask the presence of Glory of God to rest on me and give me rest, I see Sis Adele in her Bold Existence attire of a black polo t-shirt with white linings lying on top of me instead as Jesus in full-length white robes in the air on my right, right walked to the left saying that He will have Sis Adele rest on me instead because of something with me He is not happy about.

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19. Notice the highlighted part in Bold.

Dream (Oct 2, 2024): I have to go…

Dream (Oct 2, 2024): I have to go to my workplace. I walk to a spot where I am told I would catch a car cab with few people inside, but in the absence of the same, I board the only option visible to me which is an overstuffed common cab though it doesn’t look too desirable or comfortable because of the excessively squeezed crowd. As the cab is now on the highway, I see on my left Sumit Sir on a bike sitting behind a person as their vehicle rides parallel to us. (He taught us Vector Spaces and later Quantum Mechanics in BSc. What is being highlighted to me is the day that I had a conversation with him outside Gate No. 4 during the beginning of my PhD days when he shared with me that he was teaching in Miranda again and that ours were his first batch of students.) In the dream, he’s dressed in a coat thinly striped in blue and white at the front with its arms patterned in black and white dots resembling the pattern on my dad’s decades-old coat which he is shown wearing in a photo at someone’s wedding from when he was young. He’s looking silently straight ahead with a slightly bent upper half peeking his head out on the driver’s right shoulder. I wonder why he chose to dress unusually in that composite coat, and also, the fact that it has arms from my dad’s old coat is catching my attention. The bike is moving parallel to the cab with him constantly peeking out from over the right shoulder of the biker in front of him.

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(As I was writing this part of the dream, this previous real-life incident in which Death Conqueror appeared on a two-wheeler – bike or a scooter – driven by someone else, with the short fellow dressed in a lavender shirt with widely spaced sparkling stripes tucked inside navy blue pants, carrying a laptop bag behind with light-colored sports shoes in his feet, and wearing a black helmet with the upper half of his visible through its missing or open lid as I caught a glimpse of him, as he looked forward with his face peeking forward from over the right shoulder of the driver, while I sat on the conductor seat with my dad driving his now sold out car, when we were on the roads of Chandigarh in early 2021 during my few days tour he had organized with my stay at Dr Bharati’s, was flashed repeatedly in my spirit.)

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The dream continued: When I look ahead, I see the inside view of a car, and not a cab. Suddenly, I am now inside a car that seems to be black as the inner surfaces in front of me are black, and through the windshield, I see the view of the giant deep brick orange door of an orange truck with the giant photo of the face of the child actor from the movie Tare Zameen Par on the right half of the door. I find it weird that a truck should have the photo of that autistic child (Ishaan) from the movie.

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Now I find myself sitting at the front on the conductor seat as I see the child Ishaan sitting in the driver’s seat beside the driver who is most probably his father as the autistic child is making a fuss about something stubbornly as he’s fiddling with probably a stuffed tiger toy held in his hands. I don’t recall what he wanted as he was crying for something as a woman tried to console or bring him to calm. When I look to my left again, now present in the back seat of a vehicle, I see Sumit Sir entering a door into a room in line with other buildings along that side of the road with his back towards the viewer which reveals his coat to be having the same dotted black material as that of its arms, which comes across as a quite unexpected thing. It makes me wonder about the weird choice of the cloth material used to stitch different parts of it – the arms and the back of the coat stitched using the same cloth of my dad’s oldest coat that I know of, while the front carrying the fresh look of a modern material thinly striped in blue and white. (This part of the dream later made me notice the pattern of the TSPR video I had created in which different parts of the same melody from the Sur song were present at the beginning and the ending of the video while the video’s content lay between the two ends of the melody that were apparently connected in the background which is made visible if the video’s front wasn’t visible or present. As I create more videos, the front and the ending Sur melody parts stay the same, while the video’s content in the middle is fresh. Also, the front and end of the video are from a song that’s more than two decades old but the content in the middle is written afresh in the current time.)

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I realized that the video I assembled yesterday actually seemed to resemble the pattern of the coat that Sumit Sir wore that I found weirdly stitched in the dream above.

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Nov 5th, 2024: (Media) Paniyon Sa

I was then explaining how the lyrics above could be related with the same gender as well as one’s persona experiences the free flow of a river in the company of another accompanied by a (moral/godly) sense freedom of a freely floating cloud. And I also that if one couldn’t love a person from the same gender truly in the presence of a lack of sexual bias, one couldn’t really exercise the possible full extent of love with opposite gender where the bias is present. And then I recalled how we (I and Meera) used to listen to him so intently as he would keep explaining stuff to us.  It now makes me recall what I was once previously talking about upstairs in the kitchen: that we should consider ourselves to be in a good space if we can love the opposite gender like we do the same gender which would be another way of implying the absence of a sexual bias because of boundaries when interacting with people.

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Billie Eilish – WILDFLOWER | A COLORS SHOW

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20. They came to attack him (Sumit Sir), but he had already left with his wife.