Nov 13th, 2024

Posted on 2:56 am

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Nov 13th

13 November 2024

00:33

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1. Vision (Past month): The side-view of a naked dusky man in black lying on top of a woman with her legs spread wide apart in the act of intercourse as he’s pushing back at the inner thighs of the woman while doing so to an extent that it seems that her pelvis girdle will break. The vision continues for a while and repeats. 
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2. Vision (Past few days): I am at the edge of a roof’s railing on a wheelchair looking ahead in the dark of the night in a wide and open balcony when Death Conqueror in a round-neck and full-sleeved light sky blue top with vertically debossed stripes walks in my direction with wide open and round sky blue eyes constantly looking at me. It seems that he wants to begin a conversation but I turn my wheelchair back and leave the balcony without saying a word as I don’t feel like talking to him. 
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3. Vision (Past few days): I see myself in a wheelchair sitting on the balcony of room D1 of PG A16 in the open light of the day when Death Conqueror walks in and sits on another chair lying some distance away from me as he begins to try to strike a conversation by saying in a low and plain tone: I rose to power when I was in 12th. But as soon as he says so, I turn my wheelchair and wheel away uninterested with the words: Ye camera bhejne se pehle btana chahiye tha. Such visions where giving him cold treatment, I leave the scene have been playing in my spirit intermittently for a few days.
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4. Vision (Past few days): As I’m sitting on my chair working, I see the dusky man in black in a full-length white robe brisk walking to me with a slightly bent upper half, as he says: You! You who ruined my life! You! You who won my heart and broke it! You! You who did this and did that! He makes several such statements as he’s marching towards me. He doesn’t look happy and looks angry with me!
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5. Vision (Past few days): I am old now and on a wheel chair but lacking breasts and dressed in a white tunic as a voice says (paraphrased): And then one day she ran into Swastik at a public place. The vision shows us having a warm exchange from a distance. Perhaps we talk for a while, but the focus of the vision is placed on coincidentally seeing the dusky man in black.
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6. Vision (Past few days): The upper half of retired CJI Chandrachud as pointing back to his home, he says: You can live in my house. You can live in my house with my wife.
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7. Vision (Past few days): The upper half of Death Conqueror in a light blue vertically striped top in the air above on my left as looking down at me, he says: Agar khana khana hai to, to sex karna padega! Agar khana khana hai to, to sex karna padega!
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8. Vision (Past two days): The face of Prof TRS with a serious countenance close in front of mine as he says: If you die, it’ll solve everyone’s problem. If you die, it will solve everyone’s problem.
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9. Vision (Nov 11th): AS I lay in bed, I see the face of Rahul Gandhi above my head as he puts in a white tablet inside my head with the words: Ye ek neend ki goli. He puts more white tablets one after the other in my head with the words: Ye ek aur neend ki goli. Ye ek aur neend ki goli.
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10. Vision (Nov 11th, Day): Glory in a black sweater over a white shirt and a black trousers with a black spiky beard, some meters away from me, walks towards me pushing back the dusky man in black standing on the right side, as he says to the dusky man in black with a righteous countenance: Ye meri wife hai! Ye meri wife hai!
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11. Vision (Nov 11th, Night): I see myself on the second floor of 9/31 again with the dusky man in black in front of me, and me in my dark green dress. He extends a handshake to me, and as I slowly extend my hand to him, I slide it along his palm and moving closer hug him after dropping a kiss near the left corner of his lips. We continue hugging for a while. The follow-up vision now shows him dropping abruptly in front of me on an open street followed by the same scenario playing out. 
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12. Vision (Nov 11th, Night): A small-framed vision of the upper half of Martin Freeman as Dr Watson walks towards the viewer.
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13. Vision (Nov 12th, Day): A small-framed side-view of a wide and tall lady, wrapped fully in a shiny light orangish saree with its drape covering her head entirely, sitting on a row of chairs laid on the right side of the vision, with a short and thin man in a black and white suit lying in a straight and fully relaxed posture on the chair on her left on the viewer’s side as he keeps abruptly raising his arm intermittently. It seems that he’s facing some kind of disorder to diagnose, get treated, or ted to which, they are seated there in line waiting for their appointment.
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14. Vision (Nov 12th, Day): Vaibhav Sir – Awadhesh Prasad’s ex-student – asks me about my judgment of something being wrong with him, in response to which I reply that when he talks, he uses the word ‘Sala’ a lot which he doesn’t need to and then it’s pain to hear the curse word and it disturbs and ruins the pure flow of speech. This is the first thing one notices in his speech when interacting with him.
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15. Vision (23:00 to 00:00): A low contrast vision of the upper halves of a chubby Jane Bennet (played by Rosamund Pike in Pride and Prejudice) who got rejected by Mr Bingley because he judged her and her family greedy, standing facing the viewer, and a slim The Bride (played by Uma Thurman) standing facing to the left in a perpendicular orientation to each other with an electronic keyboard each in front of them in a dark background, and both carrying long and straight blonde hair partitioned at the middle and falling at their sides, as The Bride turns towards the viewer and slowly walking towards Jane Bennet replaces her position as she slowly walks away to the right.
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16. Vision (23:00 to 00:00): The upper half of Cliffe Knechtle in a light sky blue shirt sitting behind the left edge of a table on the vision’s right side with a wide metallic rectangular plate with pieces of roasted meat, one of them on the left being larger than others in the spacey dark brown background of a dull dungeon as he lifts the plate up and standing up as he’s bringing it to me on the left side of the vision, he says: Here’s some meat for you. You are an adulteress.  
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17. Arey sabhi chhote bacche chamaar hote hai! Arey sabhi chhote bacche chamaar hote hai!
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18. Vision (23:00 to 00:00): The parallel front view of the lean and slim Shanon Milton from Yeshu Ke Geet dressed in a thick and pleated short white top with side vertical slits over white trousers standing on a wide dark carpet running behind her in the straight line of sight of the viewer, as looking at the viewer with a bent upper half in her posture of singing along with a song, she points to the left with a finger where moving some distance to that side, the vision shows Akhila standing at that spot. As Shanon keeps pointing to the left to Akhila followed by her now rhythmically moving the side of her hand along her throat in the manner of slitting it away. The follow-up vision shows her head now sliced away from her body and moving away from it towards the viewer resting in the air at different spots as it quickly translates from one position to another with now a golden crown on top of her head.
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19. The side view of curly-haired Benedict Cumberbatch as Sherlock Holmes in a fluffed dark green jacket standing facing to the left in the open light of the day as he’s passing copies of the NotionPress version of my book to the other side away in a flow.
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20. The upper half until the shoulders of Billie Eilish showing her making mischievous expressions that could be perceived as seductive as she looks at the viewer with a printed orange bandana around her head and an orange top. Regardless of how the viewer may perceive it, I know that she’s involuntarily acting out her natural self like every pure-minded innocent person does.
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21. The upper half of a fat and dark-complexioned Bollywood celebrity dressed in the black gown of a judge as he sits a few chairs on the left side of PM Modi and bending his upper half, looks at his side and says to him, smiling as he throws a loose hand at the viewer: Ye to gayi!
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22. The upper half of an excessively fat Dr Hathi sitting dressed in a fine checkered shirt as holding a small spoon of salt on the left side of his mouth and looking at the viewer, he says: Ek chammach namak kha raha hu. Taaki Blood Pressure badh jaaye aur mein mar jau! He then puts the spoon in his mouth.
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23. The following past vision written on the Page of Oct 9th is flashed to me:

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24. Followed by the following vision from the night of October 8th and written about on the Page of Oct 9th:

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25. Links to buy the Hardcover version of The Secret Place Revelations (Pages 1 to 200):

The Secret Place Revelations: Pages 1 to 200: Amazon.co.uk: Panwar, Kartika: 9798346105800: Books

The Secret Place Revelations: Pages 1 to 200: Panwar, Kartika: 9798346105800: Amazon.com: Books
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26. Vision (Nov 13th, Morning): The bottom view of Jim Caviezel as Jesus from the Passion of Christ in a sleeveless top made of sackcloth as he’s hitting something in front of Him with the backside of the wooden eye of an axe facing upwards.
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27. Vision (~13:30): A semi-animated vision of the top view as seen by Jesus from His level of a tiny me standing on the ground as a translucent stream of golden glory flows towards me, and passing out from my back, it goes above to Him being much more magnified and intensified in form with a deeply golden and almost opaque upward flow of glory to Jesus.
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28. Vision (~13:30): The giant upper half of John Foss as Jesus with a bearded face and his head covered by a drape in a dim golden environment, as He extends out His closed right fist to the viewer and as He opens His palm, a toffee of the size of about His palm width wrapped in a golden cover is revealed which He pushes towards the viewer in the golden background as it flows straight through the air away from Him. After a second or two, as the vision now focuses on the toffee, it’s shown to be carrying the label Emmanuel – one of the names of God meaning ‘With Us is El’, where El stands for the Most-High self-existent God. The toffee flies straight into the mouth of a person resembling Glory. The golden cover of the toffee now can’t be thrown as even the cover carries innate importance as it came from Jesus and carries His name as the label on it.

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29. An angled view of the upper half of SRK in a black and white suit with a light stubble on the right side of the vision in the background of a room, apparently in the context of an interview as he says looking at the person on the left: Dekha maine kaha tha na!? Kartika is not greedy!
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30. The upper half of SRK in a black and white suit in a dark background as he’s shown blowing a golden trumpet held in his left hand on the viewer’s right with his face turned in that direction while holding a similar but less bulky instrument resembling a trombone in his right hand on the viewer’s left.
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31. A third-person view of my upper half until the shoulders in a new short haircut with a parallel front as the face of a stubbled Jesus stamps on her the name Anjali. It makes me question, why did he chose that name when I don’t even relate to the movie to a great extent. But he stamps it again and does it a few times. He then stamps Billie Eilish on that lady’s face, followed by Katy Perry. (I later think if my persona somewhat matches Anjali’s from the SRK movie as she’s not a vain or fancy person but one who believes in genuine, authentic expression.)
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32. Dream (Past week): In this dream, I hear the news of Paras Patel (Matthew from The Chosen) being born at such and such place to so and so parents as the dream shows a small-framed vision of him in a cream suit walking to the right. I don’t know in the dream why is such an unusual and pitiful context being created about his place of birth. From the context shown in the dream, it seems that that particular aspect of his past naturally draws compassion from people.
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33. Dream (23:00 to 00:00): The upper half of Paras Patel in a round neck black sweater over a dark blue shirt sitting on a chair as he’s shown eating a bread toast, taking a bite holding it with both hands. The follow-up vision shows him now dressed in a black and white suit standing in front of a gathering in an open soiled ground as he extends out a garland of medium-sized flowers to a lady not shown in the vision. The follow-up vision then shows his standing facing a lady in bridal white. She’s apparently me in the vision with a protruding belly as I look at the vision as a third person, with her fat frame hid by the loose bridal attire. The face of the lady then changes to Katy Perry from the song Hot n Cold. After a while, the follow-up vision now shows him standing with Elizabeth Tabish (the Mary Magdalene from The Chosen) as he’s supposedly getting married to her. The next vision shows Elizabeth in her Mary Magdelene attire with long black straight hair falling on the sides on the right side of the vision in a visually darker space away from the set leaning against a wall on the right as Matthew from The Chosen is fornicating with her with her long off-white robe held upwards as they indulge in the act of sexual intercourse while supporting themselves against that wall. As they continue, Paras Patel says to her: she was good, but you’re even better!
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34. The scene from the end of the movie Gravity where the astronaut (played by Sandra Bullock) steps on solid ground after she has managed to pull herself out of a water body despite extreme exhaustion after falling into the water body from the outer space, gets highlighted to me.

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2. An Astronaut Hovering on a Globe
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Vision (Mid 2022): An astronaut hovering on a globe (representing Earth) of almost his/her own size.
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We (the children of God) are like Astronauts on Earth.

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35. (Yesterday) As I am pooping, I see The upper half of Nirmala Sitharaman in a saree floating in the air above me as looking down at me, she says with a rigid countenance: I will get you jailed. I will get you jailed.
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36. The upper half of Sia with short blonde bob hair with a blunt front standing in front of a white screen board as she says pointing to the viewer: You look like me. You look like me. 
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37. Sumit Sir throws away the hardcover version of my book outside into the dark as he says (paraphrased): I am throwing it away! It’s such an excellent book!
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38. Elon Musk throws my book up at the night sky with the words: I am sending it to Mars!, as I see it flying up into the sky and disappearing from the view as he says.

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39. Vision (Nov 13th, Post midnight): The upper halves of KA in a shiny sherwani standing beside Kriti Sanon dressed ethnically at the entrance to a celebration as he says: Kartika ne mujhse shaadi nahi ki, isiliye maine Kriti se shaadi karli.

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40. The upper half of Akshay Kumar in a sparkling suit patterned in light parrot and white over a white shirt outside the entrance to a celebration along with another actor dressed similarly on the other side as they gesture the people entering inside one after the other. Akshay Kumar then looks at the viewer and says: Kartika ka birthday celebrate kar rahe hai. It reminds me of my dad letting me know about a langar invitation some hours back when I was upstairs, but it’s 1:39 post midnight of the 14th now. And there’s still around a day left to my birthday, though I couldn’t be less concerned with it as it stopped seeming a mature practice to me to celebrate birthdays in a ‘celebratory’ way after school ended or a few years until after.
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41. Vision (Nov 13th, Evening): The front view of the negative image of the upper half of a guy in a sweatshirt sitting facing the viewer with a table visible on the left side as his neck gets sliced off. The follow-up vision shows my dad now holding the severed head on the roof of this building which is shown to be that of my middle brother’s as my dad says (paraphrased): Dekh tere bhai ke saath kya kiya!?  
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42. The bottom-view of a curly-haired man in a black and white suit with the severed head of a person lying on the ground or an elevated surface of it in the background of the night as he kicks it away as it flies far away high in the sky. 
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43. A small-framed semi-animated vision of the back of a tiny man in a black and white suit floating in the air in front of 4-5 folded scrolls floating together in the air as the man is shown stabbing them with a knife in vicious moves in the dim background of a dawn or dusk. The peaceful face of Jesus is visible behind the scrolls as He’s looking down at something He’s holding in His hands with a curved mouth for a smile with a gentle and love-filled expression. The follow-up vision now shows the hidden part of Jesus behind the scrolls and he’s shown to be holding a round-faced bald spiky head infant wrapped in multilayered white while smiling down at it, as He drops repeated kisses at its forehead and lips and as He does so, the name Kartika in bold black font appears on the forehead of the infant.
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44. (Sept 9th, 2023) Page 528
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Vision: Infant Renesmee being held in the holder’s hand…
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Vision: Infant Renesmee being held in the holder’s hand looks at the person with round and wide open innocent eyes as she chews her tiny foot raised to her mouth in quick motions. The vision repeated itself a few times and I recalled the look at her face as she looked at her phone, smiling with a bent head.

45. Apr 12th, 2024

The upper half of AKej. until his shoulders in a…

The upper half of AKej. until his shoulders in a blue shirt on my right with the brown wooden background of a courtroom in hindsight with him angled slightly away from the viewer as pointing straight in that direction with a horizontally raised hand and his forefinger pointing ahead, he says with a serious countenance: Is k*tiya ko ander daalo! Is k*tiya ko ander daalo! As I was writing the revelation, I saw the upper half of his wife dressed modestly in a printed off-white saree as she was pleading to me: Please mera ghar mat todo. Please mera ghar mat todo. As I continued to write/edit, I saw her give out a sigh of relief. And when I wrote about AKej. with a raised hand, I saw his head as he turned it to the left making the prophetic symbol. Followed by him turning it to the right in a dark background.
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46. A small-framed vision of a the naked back until the waist of a wide beige-complexioned man lying on his front with his hands stretched-folded outwards. As the vision focuses, below the man is revealed a white feathery fairy being on the viewer’s right with its arm on the right stretched and folded.

47. Sonu NIgam in a king’s thick drape with two angel wings at the back stands